Follow my artistic journey from Santa Rosa Junior College to Sonoma State University
“A Message To The Monarch”
2024
The first linocut in the series.
“Midnight Melody”
2024
A continuation of this imagined realm.
“Unbridled”
2024
The first copper etching in the series.
Throughout my work, you may notice influences from Japanese and Egyptian art. As a Black mixed-race person, I often feel disconnected from parts of my ancestry, which has led me to imagine worlds that feel both ancient and familiar. In my work, this world — along with its written language — has been lost, and these prints remain as fragmented evidence of its existence.
I’m fascinated by the way art cross-pollinates across centuries and cultures, creating something entirely new. Within these imagined worlds, animals are creative, whimsical, wise, and ceremonial beings. They are the very royalty that I descend from. Because I do not know what my ancestors looked like or where they were, inserting animals as royal figures lets me
As I continue learning, the references in my work grow more layered, informed, and historically rooted. Follow my journey through the work I created at Sonoma State University to see how my visual voice develops alongside my growing connection to art history.
“It is written”
2025
The first linocut in the series.
“Midnight Melody”
2024
A continuation of this imagined realm.
“Unbridled”
2024
The first copper etching in the series.